This composition is written for a simple home-built instrument invented by the composer Goni Peles. It is not the product of a technology developed through many centuries; its characteristics have not been polished during a long process, directed towards the production of a large amount of well-ordered pitches (i.e. strictly harmonic spectra).

It has a limited amount of possibilities. The form cannot derive from a complex articulation of pitches or from a combination of the big library of extended techniques developed through decades; what is left is the simple sound, a reduced collection of spectra that have not been shaped in order to fit in an abstract model derived from a linguistic system. In some sense, the sound is considered "as it is". The application of an external logic able to build a form is not desired in this case. What remains is, instead, an organic unfolding of the nature of this sound.

The rough and practically undeveloped nature of this instrument requires a creative effort; the ultimate goal is to find the artistic voice of such simple artefact; to discover the magic of a primordial object.

The space where electronic and acoustic sounds are diffused and melted is a womb and the sound becomes a place.